‘Each time I shut myself up alone in my studio and start painting and creating, I am convinced that there are three people sitting behind me taking part in my adventure. The first person who is watching me looks at my canvas with a connoisseur’s eye, the eye of an artist like myself who notices the technical faults and bad drawing.
The second person looks at my work with a critical eye, placing it in regard to itself and to the artistic trends of the country and elsewhere. And the third person is a layman, glancing spontaneously at my work, judging it according to his sensitivity and taste.’
